![]() ![]() The director attempts to render the gloomy atmosphere of Poe’s Gothic tales through the cinematic medium. In particular, Burton translates common tropes of the Gothic genre established by English writer Horace Walpole‘s 1764 novel The Castle of Otranto, such as dark buildings surrounded by mist heroes and antiheroes with troubled pasts and an interest in the sinister and grotesque. He spends his days experimenting on his dog Abercrombie – a foreshadowing of Burton’s future stop-motion movie Frankeweenie (2012) – and reading Poe’s tales. His obsession with Poe’s works leads him to detach himself from reality to such an extent that he identifies with the protagonist of The Raven, imagining that he too has been deprived of his Leonore, the woman he loves. Vincent Malloy imagines himself in situations inspired by Vincent Price’s movies based on Edgar Allan Poe‘s works. His mother tries to bring him back to the real world but not understanding her son’s uniqueness and diversity, she only worsens the situation by convincing him even more that he is a monster. Vincent lives in a paranoid world of his own, in complete detachment from reality. The story – told in rhymed couplets – displays Vincent’s teenage precariousness. Caligari).Ī third-person omniscient narrator, voiced by the famous American horror movie actor Vincent Price, tells the story of Vincent Malloy, a 7-year-old boy. The movie is shot in stark black-and-white, under the influence of 1920s German Expressionism (such as Robert Wiene‘s The Cabinet of Dr. Burton worked on the project for two months, and the result was a six-minute short movie. Nevertheless, impressed by his unique talent, the Head of Creative Development Tom Wilhite gave Burton $60,000 to produce Vincent, an adaptation of a Burton poem of the same title. However, he was not immediately considered “Disney material” because of his gothic and macabre style. Tim Burton started working as a conceptual artist for Walt Disney Productions in 1979. The beginning of a technique that would find fortune later with other Burton movies, The Nightmare Before Christmas (1993) and Corpse Bride (2005). What’s more, Vincent is also the first stop-motion short movie by the same director to combine 2D and 3D animation. As mentioned in the 1995 book Burton on Burton (edited by Mark Salisbury), Vincent was consigned to the Disney vaults and never rereleased because it was considered too scary and pessimistic for the company’s target public. Written, directed, and designed by Burton in 1982, Vincent is a horror animated short produced by Walt Disney Animation Studios. But it is not widely known that the artist’s stylistic touchstone can be found in his first stop motion short movie, Vincent. The common thread running through all his works is the stop-motion animation, the theme of weirdness and the outcast, the typically Anglo-Saxon Gothic atmosphere, and the character conceptualization. Tim Burton is a director with a distinctive style, known for iconic movies such as Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), and Charlie and the Chocolate Factory (2005). ![]()
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